Less successful are the quieter moments in the film. The hand-to-hand brawl between Batman and the Mutant Leader is particularly brutal, calling to mind classic fisticuffs like They Live or Lethal Weapon. The animation in these scenes are truly thrilling, and the filmmakers did a great job of striking a balance between Batman being an effective vigilante and being sure to show that this is now an old man under that cowl. The action sequences are brilliantly executed, with Batman striking from the shadows in fluid movements, often only illuminated by quick flashes of lightning or the slits of his eyes moving in the background. The film builds on this idea, culminating in a fantastic sequence where Bruce finally makes his public reemergence to stop a terrorist attack on Gotham. In his absence, the shadow of the Batman looms large when he returns, his impact is even greater. ![]() We get to see what might be Bruce’s greatest success: building the Batman not as a man, but as an urban legend of sorts. Where the movie excels is in its construction of Batman as a myth a creature of the shadows. The somewhat dated dialogue that’s taken from the book – specifically the Mutant slang and references to the psychedelic 60s – might throw viewers unfamiliar with the story for a loop, but ultimately you’ll settle into the film’s strange little time period. Just like the book it’s based on, Dark Knight Returns Part 1 is not a kid-friendly Batman tale. ![]() Not that these things are explicit (it’s still PG-13), but it doesn’t hide the fact that these injustices are a day-to-day – and seemingly accepted – occurrence. This movie doesn’t shy away from anything, really – the murder of children, suicide, rape, you name it. ![]() The adaptation completely nails the tone and atmosphere of the book, sinking us deep into a dingy future-version of 1980s Gotham City and creating the most violent incarnation of the fictional metropolis that we’ve ever seen on screen.
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